My inspiration for this project came from the artist David Sutherland (posted below) who did a project involving projecting one’s face onto sculptures or different people. They would makes faces or talk creating the illusion that whatever their faces were projected on were the bodies doing the talking. Obviously simply projecting one’s face on an object or someone else will be just the same as your own face, so there was distortion. The distortion, not the switching-faces novelty, intrigued me.
I decided to overlay a face over another as he did but use a different medium, transparency paper. The transfer from 2D to 3D would have an element of distortion to it that light necessarily wouldn’t. Also, the ink would double the pigment of their skin creating a layer or mask of themselves that would augment, to the point of distortion, their natural skin tones and their eye color. The whole thing reminded me of those clear plastic masks with features painted on them that bank robbers use; not a full mask but somehow scarier by being close enough to a real face but completely un recognizable.
I wanted some distortion, but I didn’t want a simple, flat mask. I took front and side photos of my friends’ faces and combined them in Photoshop to create a sort of 2-D panorama shot of their face from ear to ear. I then printed them on 8.5x11 laser printer transparencies.
At first I planned on making masks by punching holes and putting rub bands around it, but when I first had them put the transparencies up to their faces with their hands, the whole act clicked. Part of this project was about examining how we represent ourselves through photos in ID’s, mug shots, or on Facebook. We choose an image that we think most represents what we want ourselves to look like, so having the hands up there holding this image that doesn’t quite fit and actually distorts their real faces and selves under it made all of the sense in the world.
It was interesting for me to choose these shots, because the way the transparency lay over their faces not only distorted things, but also gave a range of emotions. It evokes for me also the expressiveness of our faces and how sensitive we art. By wiggling and mending a flat image I interpreted emotion where there was only the creases and bulges of bending plastic. I was committed to doing the five I picked, but I think it would be interesting to do these in 3 photo series, showing the distortions and “expressions” generated by these things moving around on the face. The expression thing is also particularly interesting in shots like those of Val and Leigh where their real expression bleeds through and contrasts with the one on the photo. Something else could be said about the truth of that, how a static image can never represent one part of the body, particularly the face all the time.






